(aron hakodesh)
Un dolap adyentro o apegado en una pared dela sinagoga. Kontyene los silindros dela Tora i es le chentro dela atensyon delas orasyones
The Torah ark in the Subotica synagogue, Serbia.
Cassuto, David. “The Architectural Design of Torah Arks in Italy.” Towns of Silk and Silver: Architectural Motifs in Italian Art, edited by Andreina Contessa, Jerusalem: U. Nahon Museum of Italian Jewish Art, 2013.
Fishof, Iris. “[A Pair of Torah Ark Doors from Kraków]” Kroke-Kazimiez-Keaków: Mechkarim Be-Toldot Yehudei Kraków [Kroke-Kazimierz-Kraków: Studies in the History of Kraków Jewry], edited by Elchanan Reiner, Tel Aviv: Tel Aviv University, 2001, pp. 293-8.
Nahon, Salomo U. Sixty-Four Pictures of Holy Arks and Religious Appurtenances from Italy in Israel. Jerusalem: Department for Torah Education and Culture of the World Zionist Organization, 1970.
Piechotka, Maria, and Kazimierz. “Aron ha-kodesz w bóżnicach polskich: Ewolucja między XVI I początkiem XIX wieku [The Holy Ark in Polish Synagogues: Evolution Between the 16th Century and the Beginning of the 19th Century].” The Jews in Poland, ed. A. Pałuch, vol. 1, Kraków, 1992, pp. 475-81.
Rodov, Ilia M. The Torah Ark in Renaissance Poland: A Jewish Revival of Classical Antiquity. Leiden: Brill, 2013.
Weber, Anette. “Ark and Curtain: Monuments for a Jewish Nation in Exile.” Jewish Art, ed. Aliza Cohen-Mushlin and Bianca Kühnel, vol. 23/24: The Real and Ideal Jerusalem in Jewish, Christian and Islamic Art, no. 2, 1997-1998, pp. 89-99.
Yaniv, Bracha. The Carved Wooden Torah Arks of Eastern Europe. Liverpool: The Litman Library of Jewish Civilization and Liverpool University Press, 2017.
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